André Kertész – On Reading | Penguin Books, 1982

Leaflet for [Mark] Rothko Memorial Portfolio, 1973 | introduction by Bryan Robertson

Colour and Autolithography in the 20th Century | Manchester Metropolitan University, 2006

Printing at Gregynog. Aspects of a Great Private Press by Michael Hutchins. Published on the occasion of the 1976 Gregynog Press exhibition Welsh Arts Council

Prospectus for The Book Decorations of Thomas Lowinsky Colin Myers Incline Press

Private view invitation for Marc Vaux. Paintings from 1964 | Bernard Jacobson Gallery, 2012

Axel Hütte. Out of Darkness | Waddington Galleries London, 2009 catalogue

Form No. 2 art magazine | Philip Steadman, Frank Popper | 1st September 1966

Ingres by Francis Jourdain – Collection des Maitres | Les Editions Braun & Cie.

Promotional card Marc Vaux Works on paper from the 1960s Redfern Gallery 1993

John Hoyland exhibition leaflet | Marlborough Fine Art London, 1964 | Design by Gordon House

Bonaparte and the British Prints and propaganda in the age of Napoleon | British Museum exhibition catalogue, 2015

Markus Lüpertz – Otello 1996 | Galerie Thaddaeus Ropac

Monotype Composing Machines | Promotional brochure, 1970 | The Monotype Corporation Limited

Sun Liang. Reflections | Contrasts Gallery Shanghai | Exhibition catalogue, 2005

The Historiography of Modern Architecture by Panayotis Tournikiotis | MIT Press, 1999

A Humument page 324 'no use?' by Tom Phillips Tetrad Press, 1970

British painting and sculpture today and yesterday | Arthur Tooth, London, 1962

Ceri Richards | Tate Gallery, 1981

Galerie von Braunbehrens. Eine Auswahl aus den Beständen... zur Art Cologne 1995

Authors' and Printers' Dictionary by F. Howard Collins | Henry Frowde, 1909

Exhibition of English Watercolours purchased from the Glen Bott bequest | University of Nottingham, 1972

Temporal Moments by Kabir Hussain | AB Fine Art Foundry, 2005

Better Settings Faster – Odhams Press, London | Ludlow Typesetting Service, 1930/40s?

The Magazine of the Institute of Contemporary Arts, November 1968, no. 8. Guillaume Apollinaire

The Quintain. A second essay in book production | Hornsey School of Art, 1930

Books on the fine arts | AlecTiranti, London booklet 1949

Man | Oskar Schlemmer | A Bauhaus Book | Lund Humphries, 1971 first English ed

Libanus Press Books 1988-89 promotional folder and five inserts 1988

Richard Kidd. Recent Paintings | Promotional card, Rowan Gallery 1980

De Jean Christophe à Colas Breugnon – pages de journal de Romain Rolland | Editions de Salon Carre, 1946 | Numbered, limited edition

Prospectus for Sporting Dogs by A. Croxton Smith G. Vernon Stokes | John & Edward Bumpus Ltd | Country Life, undated presumed to be c. 1938

Pamela Kay in the Cotswolds | Richard Hagen, 1991

Paolozzi by Fiona Pearson | National Galleries, Edinburgh 1999

Thomas Jefferson Architect and Builder by I. T. Frary with an introduction by Fiske Kimball | Garrett and Massie, 1939

Private view invitation card for the Sonia Delaunay retrospective exhibition Oils gouaches pastels works from 1907 to 1965 held at Gimpel Fils from 1 February 1966

A Humument page 213 'quaint one of her chins' by Tom Phillips | The Tetrad Press, 1970

Art Criticism in the Sixties | The Poses Institute of Fine Arts, Brandeis University, 1966 | Barbara Rose, Michael Fried, Max Kozloff, Sidney Tillim

Form No. 2, September 1st 1966 | Editors: Philip Steadman, Mike Weaver, Stephen Bann

Silvia Levenson | Galleria Credito Valtellinese, 2001 catalogue

The Emblem by John Manning | Reaktion Books, 2002

Illusion in Nature and Art | ICA catalogue, October 1973

Tajiri Sculpture | Hamilton Galleries, London 1964 catalogue | Text by Patrick Waldberg

Engaging images. Practical Criticism & Visual Art by Merlin James | Menard Press King's College 1992

Post-War Development in Art Galleries by B Collingwood Stevenson 1945 | Laing Art Gallery, Newcastle

Visions of Paris. Robert Delaunay’s Series | Guggenheim Museum, 1997

Sotheby's catalogue – Old Masters and Modern Prints | London, 15 October 1981

Giovanni Pozzi | Francesco Donna et Alde Manuce | Monotype Corporation, 1962