Landlords to London. The story of a capital and its growth by Simon Jenkins 1975

Jean Dubuffet | Galerie Hopkins-Custot, 2007

Stéphane Mallarmé – For Anatole's Tomb intro Patrick McGuinness 2003

Private view invite for Tribute to Edward Bawden | Fine Art Society, 1992

Folding card for Bryan Wynter. Drawings & Gouaches 1940-1950 | New Art Centre, 1983

Gwen Raverat. Friends, family & affections. A biography by Frances Spalding | The Harvill Press, 2001

Pintura – Museu Calouse Gulbenkian | 35mm slides in folder with text, 1995

Émigrés – The Transformation of Art Publishing in Britain by Anna Nyburg | Phaidon, 2014

Paul Wunderlich | Galleria Schwarz, Milan exhibition catalogue, 1972

Donald Baechler | Galerie Thaddaeus Ropac exhibition catalogue, 1998

The Didot Family and the Progress of Printing | Albert J George | Syracuse University

Futurist Art and Theory by Marianne W. Martin | Clarendon Press, 1968

Ellen Gallagher: AxME | Tate, 2013/14

Typographic 13. Journal of the Society of Typographic Designers March 1979

Scientific Copyfitting for Composition on Monotype [Corporation] Machines

The World of Null-A by A. E. van Vogt | Vintage paperback | Ariel Press, 1970

Jake & Dinos Chapman – If Hitler Had Been a Hippy How Happy Would We Be | White Cube catalogue, 2008

Flash type specimen Enric Crous-Vidal | Fonderie Typographique Français 1953

Eileen Cooper 50 | Art First Contemporary Art catalogue, 2003

French Popular Imagery | Hayward Gallery catalogue | Arts Council, 1974

Graphics design into production by Alec Davis | Faber & Faber, 1973

Sheer Presence: The Veil in Manet's Paris by Marni Reva Kessler, 2006

Typographica (New Series) journal promotional leaflet 1960

Can excellence survive technical progress? Fernand Baudin | Wynkyn de Worde, 1969

The Visionary and Other Poems by E.H.W. Meyerstein | The Richards Press, 1941

British Sculpture and Painting Leicestershire | Whitechapel Art Gallery 1967/8

Departures by E.L Grant Watson illustrations by John O’Connor | Pleiades Books, 1948

The Sixty-third volume of The Walpole Society 2001 LXIII

Royal College of Art – RCA Fine Art Degree Show catalogue, 1987

Promotional leaflet for laminated paper | Dispro Clarifoil 1960s

Francesco M. Piave | Rigoletto musica di Giuseppe Verdi | Ricordi, Milan, booklet 1944

The Private Press Today from modern-day Britain | Gordon Russell Design Museum booklet, 2016

Louis Soutter 1871-1942, Adolf Wölfli 1864-1930 | Galerie Michael Haas catalogue, 1989

Ghada Amer. Breathe Into Me | Gagosian New York exhibition catalogue, 2006

A short survey of Surrealism by David Gascoyne | Enitharmon Press, 2000

Mona Hatoum | Centre Georges Pompidou exhibition catalogue, 1994

Farbe und Form. Monatsschrift für Kunst und Kunstgewerbe | Mit der beilage ‘Mitteilungen der Schule [Albert] Reimann' | 13 Jahrgang, 10/11, October/November 1928

The Bookplates and Badges of C.F.A. Voysey by Karen Livingstone | Antique Collectors’ Club, 2011

Derek Greaves. Paintings and drawings 1952-2002 | James Hyman | Private view card

Henry Moore and the Challenge of Architecture | The Henry Moore Foundation 2005

Auction catalogue for Tableaux Modernes. Floralies 1982. Versailles 2 June 1982. Me Georges Blache

Hondred jaren lettergieterij in Amsterdam by Dr G.W. Ovink | Amsterdam, 1951

No 6 The Toy Shop educational maths toy | E.J. Arnold c.1950s – 12 cards & 2 leaflets

Sing a Song for Sixpence by Randolph Caldecott. R. Caldecott’s Picture Books, Frederick Warne and Co, undated

Naomi Frears | Beaux Arts Bath exhibition catalogue, 2011

The Classics and the Man of Letters T.S. Eliot | Classical Association | Oxford University Press, 1942

Modern British European and Contemporary exhibition, Redfern Gallery card 2000

Giovanni Pozzi | Francesco Donna et Alde Manuce | Monotype Corporation, 1962