Scrips and Scraps by W.R. Lethaby. Gathered and introduced by Alfred H. Powell | Earle and Ludlow, 1956. Inscription from author to Beatrice Cleminson

The Unreal America: Architecture and Illusion by Ada Louise Huxtable | The New Press, New York, 1997

Edward Wadsworth Paintings Drawings and Prints | Colnaghi's London 1974

Premiers principes de la typographie, by Stanley Morison | Jérôme Millon, 1989

Notes on Colour Mixing by Hesketh Hubbard. Winsor & Newton, 1st edition 1947

Bernard Moore – Master Potter 1850–1935 | V&A exhibition catalogue, 1983

Eric Parry Architects Volume 1 | Introduction by Dalibor Vesely | Black Dog Publishing, 2002

Jonny Hannah – A Brief History of Darktown | Double Crown Club – plywood keepsake, 2013

Some Statements by Barbara Hepworth | Barbara Hepworth Museum leaflet, 1977 | Alan Bowness

The visual adventure. Leicester College of Art students leaflet, 1963 | Tom Hudson

Michael Heizer: Double Negative. Sculpture in the Land | Los Angeles, 1992

Art as Design: Design as Art by Sterling McIlhany | Van Nostrand Reinhold/Studio Vista, 1970

The printer's terms. Technical terms of the printing industry by Rudolf Hostettler | Zollikofer & Co AG, 1969, fifth revised edition

The New Colours of The Conqueror | Wiggins Teape / Associated Weavers Guild | Undated, pPresumed c.1971

Barbara Hepworth | Plymouth City Art Gallery, 1970

The Art of the Book by Bernard Newdigate | The Studio 1938

Paintings John Gray - Conceptual Realism | Nottingham University Art Gallery leaflet, 1977

The Work of William Morris. An Exhibition at The Times Bookshop text by R.C.H. Briggs. Rare Book Room held between 25 October and 10 November 1962

UH-OH Frances Stark 1991-2015 | Hammer Museum Prestel catalogue, 2015

Ultrabold No 9 – Journal of St Bride Library | Winter 2010/11

Paul Nash – The Elements | David Fraser Jenkins | Dulwich Picture Gallery, 2010

John Thompson 'Do you like 'em then?' | The Catto Gallery catalogue booklet, 2006

Hague and Gill on Printing | The Aylesford Press | 1993 softback edition

Eduardo Chillida. Graphic Works catalogue for Adam Gallery, London exhibition

Willem & Walter Dolphyn | W.H. Patterson Fine Art, 2001

Carol Robertson. Beneath the Surface Gallery Weinberger, Copenhagen | The Blue Gallery, London, 1996

A Manual of Script Typefaces R.S. Hutchings Cory, Adams & Mackay 1965

Beyond Light | Liliane Lijn / Bill Culbert | Arts Council catalogue | Serpentine DLI Museum, 1976

Printed keepsake – William Morris Society to Cambridge University Library | November 1990

Ken Kiff | Nicola Jacobs Gallery, 1983

A Humument page 83 'and then came' by Tom Phillips | The Tetrad Press, 1970

David Bomberg drawings and watercolours | Marlborough Fine Art, 1967 | typography by Gordon House

David Korty | Sadie Coles HQ / Michael Kohn Gallery Koenig Books 2008

Patterns for post-war Britain. The tile designs of Peggy Angus by Katie Arber | MODA, Middlesex University Press, 2002

The Omega Workshops – Decorative Arts of Bloomsbury | Arts Council catalogue | Fiona MacCarthy

Folding card for Graham Sutherland. Retrospective Exhibition | Crane Kalman, 1999

Printer by Eric Gill printed by Christopher Skelton | MATRIX 1981 September Press

Design & Decoration – Bernard Quaritch Catalogue 1287 | Published 2001

The Typographic Scene by Walter Tracy | Gordon Fraser, London, 1988

Spanish sixteenth-century Printing by Henry Thomas | Ernest Benn, 1926

Contemporary Art | Sotheby's, New York, 10 May 2012 | sale N08854

120 Monotype Display Faces | Type specimen booklet, undated

Journal of Contemporary Art. Volume 1 Number 1 First Issue Spring 1988 eds. Philip Pocock and John Zinsser

Bridget Riley gallery guide | Tate Britain | June-September 2003

The Mechanised Image. An historical perspective on 20th century prints by Pat Gilmour | Arts Council 1978

Booklet: Pages from Dropmore Books | Dropmore Press, London, c. 1950

A Humument page 138 'call on sounds' by Tom Phillips Tetrad Press, 1970

Giovanni Pozzi | Francesco Donna et Alde Manuce | Monotype Corporation, 1962