Sickert. Etchings on loan from the Circulation Dept., V&A | Folkestone 1972

Poliphilus type specimen leaflet – with the italic of Aldo Blado | Monotype Corporation

Martin Mull. Leap of Faith | Ben Brown Fine Arts exhibition catalogue, 2012/13

Malcolm Morley. Itineraries by Jean-Claude Lebensztejn | Reaktion, 2001

David Beer. Twenty Years On | Penhaven Gallery, 2006

Ray Gloeckler. Master Printmaker | Elvehjem Museum of Art, 2004

The Old Vic Theatre Company. Tour of Australia New Zealand edited by Tatlock Miller | British Council 1948

Glenn Brown | Gagosian Gallery, New York 2004

Paul Nash. Outline. An Autobiography | Lund Humphries, 2016 HB

Italianess Il Libro – The Magazine of Italian Art | Volume 3, Autumn 2021

William Larkins. Etchings of the East End in the 1920s | Robin Garton 1979

Surrealism and Architecture | Edited by Thomas Mical | Routledge, 2004

Farbe und Form. Monatsschrift für Kunst und Kunstgewerbe | Mit der beilage ‘Mitteilungen der Schule [Albert] Reimann' | 12 Jahrgang, 10/11, November 1927

Martin Naylor – Recent Paintings | Juda Rowan Gallery exhibition leaflet, 1981

British Art and the Modern Movement 1930–40 | National Museum of Wales, 1962

House Journals by John W. Hazzlewood | Vista Books 'Facts Of Print' series, 1963

A Humument page 317 'Every time you get this' by Tom Phillips Tetrad Press, 1970

Report of the Oxford University Drama Commission with supplementary architectural report by Frederick Gibberd | Oxford University Press, 1948

Folio Light, Light italic, Medium | Type specimen brochure, Bauer Type Foundry, undated

Private view invitation Cedric Morris at Gainsborough’s House, 2018

Typography: Macro + Microaesthetics by Willi Kunz | Verlag Niggli | 2000 edition

Poetry Information Summer 1977, No 17 | Edited and published by Peter Hodgkiss

The Sixties Art Scene in London by David Mellor | Barbican Art Gallery, 1993

The Englishness of English Art by Nikolaus Pevsner | Architectural Press, 1956

Nicolas Schöffer - ruimte | licht | tijd | Catalogue design by Wim Crouwel, 1964

David Jones by Robin Ironside | The Penguin Modern Painters, 1949

Kenneth Armitage exhibition | Promotional card, New Art Centre, 1975

Edward Hopper the art and the artist | touring exhibition organised by the Whitney Museum American Art held between September 1980 and February 1982

Collectie Theo Van Gogh | Stedelijk Museum catalogue | Cat. no. 226, 1960

Ambroise Vollard Editeur. Prints, books, bronzes by Una E. Johnson MOMA 1977

Train Spotting. Images of the railway in art | Nottingham Castle Museum, 1985

The Nicolas and Frances McDowall Collection of British Neo-Romantic art | Monnow Valley Arts, undated

Lucie Rie by Tony Birks | Marston House Press | 1994 revised softback edition

Henri Matisse Drawings | Hayward Gallery exhibition leaflet, 1985

Albrecht Dürer – His Prints and His Influence | P&D Colnaghi sale catalogue, 1971

Eduardo Paolozzi. The Metallization of a Dream | John Munday, 1963 | Limited edition

Dai Greatcoat: a Self-portrait of David Jones in his Letters | Edited by René Hague, 1980

Ercol furniture brochure, presumably from late 1960s includes price lists 1968/9

Card and insert for the exhibition Michael Punt New Sculptures and Drawings | Oriel Cardiff, 1980

Stockholms Byggnader – Henrik O Andersson och Fredric Bedoire | Prisma, 1977

At home. The 1987 Ercol book of interiors and price list

L'Esprit Nouveau journal | Issue No. 17 1922 | Amédée Ozenfant and Le Corbusier

Chris Agnew Panel Etchings and Drawings Kristin | Hjellegjerde Gallery, 2015 | signed

The Appreciation of Old Engravings and Etchings by E. F. Linssen | Herbert Jenkins, London, 1951

Promotional leaflet: Paul the Hero of the Fire by Edward Ardizzone | Constable, 1962

Type specimen sheet | Quirinus | Design by Alessandro Butti | Societá Nebiolo, undated

William Gear. A Golden Jubilee Exhibition – folding card | The Redfern Gallery 1997

Giovanni Pozzi | Francesco Donna et Alde Manuce | Monotype Corporation, 1962