The Boston Festival Exhibition 1983 – Hull Artists Association | Knighton Lane Group

Barbara Hepworth sculpture from 1952-1962 Whitechapel Art Gallery

Intertype Language Faces | Reprinted from Intertype Condensed Specimen Book No. 2, 1946

The Lumitype System by G.L. Wakefield | Reprint from Graphic Technology 7 | May-June 1962

Pop Art: USA–UK | 1987 travelling Japanese exhibition | Lawrence Alloway

John Piper in Kent & Sussex | Mascalls Gallery 2011

Folding card Peter Haigh. Works from the Studio | Paisnel Gallery, 2009

Designcourse. A dialogue Vol.1 No. 1. | Purdue Research Foundation, 1969

Masks, Heads and Faces with some considerations respecting the Rise and Development of Art by Ellen Russell Emerson | A & C Black, London, 1892

Monotype 96-unit Copyfitting System | Technical reference guide, 1980s?

Raymond E. Waydelich. Lidya Jacob Story | Karl Erst Osthaus Museum Hagen, folded card, 1976

Elena & Michel Gran. Le trompe-l’oeil contemporain | Arlbemarle Gallery, 1999

Valérin Belin. Photographies 1997-1998 | Galerie Xippas exhibition catalogue, 1998/9

J. Torres-Garcia: La Tradicion del Hombre Abstracto | 1974 Facsimile edition

Wendy Smith. Touching the Surface | Art Space Gallery | Michael Richardson Contemporary Art, 2015

Seymour Lipton | Marlborough Galerie Zurich exhibition catalogue, 1974

Hand-etched shot glass | Love Birds design | Austrian, mid 20th century

Saint George type specimen booklet | Stephenson Blake, undated

Printing Review No 37, Winter 1956/7 | Printing in the Netherlands | Charles Rosner

Origin, third series featuring André du Bouchet | October 1966

The Nonesuch Press – Books for Christmas 1926 and Spring 1926 | Promotional booklet

Polariteit | Stedelijk Museum exhibition catalogue | Cat. no. 277, 1961

Images & Texts. Their Production & Distribution in the 18th & 19th Centuries | Edited by Peter Isaac & Barry McKay | Oak Knoll Press

Frank Dobson: Selected Sculpture 1915-1954 | Henry Moore Sculpture Trust, and The Henry Moore Institute, Leeds, 1994

Master Prints | Winter Prints | 1991 exhibition catalogue | Olimpia Theodol

Gordon Mitchell | Albemarle Gallery London exhibition catalogue

Prospectus for Florence Press Books in Florence types designed by Herbert P. Horne | Messrs Chatto and Windus, 1908

John Piper | Marlborough Fine Art September and October 1975 | Gordon House design

Francesca DiMattio | Salon 94, New York 2009 exhibition catalogue

Howard Hodgkin – Prints 1977 to 1983 | Tate Gallery 1985 catalogue

Wyndham Lewis 1882-1957 exhibition catalogue | Austin/Desmond Fine Art, 1990

Helsinki Urban Guide | Helsinki City Planning Department, 1997

A Humument page 345 'a large pale sound' by Tom Phillips | The Tetrad Press, 1970

Etching by Ian Strang | The Student’s Art Books. Pitman, 1946 | Mercers' School

Bernard Meninsky by John Russell Taylor | Redcliffe Press, 1990

Prospectus – Everyman by Thomas Derrick | The Temple Press, c1930

British Wood Engravings. A tribute to Albert Garrett | Blond Fine Art 1989

Private view invitation for Cecil Collins: Early Drawings | Anthony d'Offay, 1991

Forty Years of Modern Art 1907-1947 | ICA Institute of Contemporary Arts, 1948 typography by Herbert Spencer

Walking The Face That No One Is by Louis Marvick | Editions Rodopi, 2004

Larry Rivers. From the Coloring Book of Japan Marlborough New York, 1974 1975

Mallarmé. The politics of the siren by Jacques Rancière. Translated by Steven Corcoran | Continuum Books, 2011

Golden Cockerel Private Press British Hand-made books 1955-1956

A Humument page 97 'barbarous looking-glasses' by Tom Phillips | The Tetrad Press, 1970

Marcel Breuer. A Memoir by Robert F. Gatje | The Monacelli Press, 2000

A Silversmith's Manual by Bernard Cuzner | N. A. G. Press Ltd, 1935

AA Files 63 Architectural Association journal, 1981

Giovanni Pozzi | Francesco Donna et Alde Manuce | Monotype Corporation, 1962