Typographica 12 (Old Series) edited by Herbert Spencer | Lund Humphries, 1956

Lynton Lamb Illustrator. A Selection of his work arranged and introduced by George Mackie | Scolar Press, 1978

Peter Blake Commercial Art – sleeve and eight cards | The London Institute 2003

Grundsetzliches Schrift und Werkzeug heft 1 Pentagram | Philipp Luidl 1982

Tribal Art | Bonhams, New Bond Street, London sale catalogue, 9 December 2004 | sale number 11422

Typography Today by Helmut Schmid | Published by Seibundo Shinkosha, 1980

Crispin Gurholt. Live Photo | Lillehammer Kunstmuseum exhibition catalogue, 2012

The British Printer journal | Number 265 Vol XLV | May-June 1932

Paintings from the Urvater collection | Arts Council exhibition catalogue, 1958

A History of The S.P.C.K. by W.K. Lowther Clarke | S.P.C.K. London, 1959

Going Modern - Being British. Major British Artists 1900-1950 from Dorset and Somerset Collection | Sherborne House, Dorset

Soldans' Types specimen leaflet – Ludwig & Mayer Type Foundry | Soldans Limited

A Humument page 228 'rich crude vulgar' by Tom Phillips, The Tetrad Press, 1970

British Printmakers 1820-1940 | P & D Colnaghi & Co catalogue, 1978

Jan Tschichold – a Life in Typography by Ruari McLean | Lund Humphries, 1997

Folded card – Newlyn Art Gallery – Spring Exhibition, 1970 | Newlyn Society of Artists

Design For Printing – competition journal | Federation of Master Printers, 1965

Leaflet Twenty-six points to remember about Monotype type composing and casting machines

Coloured print hot air balloon Montgolfière lancée à Tivoli, Aerial Press 1956

Contemporary ex-libris by Frantisek Dvorak | Contemporary Czech art | Odeon, 1979

Max Bill: No Beginning, No End by Marta Herford | Scheidegger & Spiess, 2018

Dalkeith's Postcard Set No.46 | E. McKnight Kauffer

Image 2 Autumn 1949 | Edited by Robert Harling | Art and Technics Ltd | John Piper cover

William Turnbull. Sculpture | Molton Gallery, 1961

United Kingdom United States | Waddington Galleries exhibition catalogue, 2002

A Note on the Format – The Nonesuch Dickens | Nonesuch Press, 1937 | Text by Francis Meynell

Jeff Lowe Sculptures 1981 | Nicola Jacobs Gallery, 1981

Areopagitica by John Milton | Typography Dept, Maidstone School of Art, 1944

Eduardo Paolozzi by Frank Whitford | Tate Gallery exhibition catalogue, 1971

Christie's New York catalogue – Impressionist and Modern Art incl. René Gaffé | November 2001

Printing types from the Caslon Letter Foundry | Stephenson Blake Sheffield, 1953

The Dark Hills The Heavy Clouds Welsh Landscape in Paintings Welsh Arts Council, 1981

A Great Period of French Painting memory of Clariça Davidson | Marlborough catalogue, 1963

Visible Words by John Sparrow | Cambridge University Press, 1978

Gérard Leonard / Peter Schat | Stedelijk Museum catalogue | Cat. no. 319, 1962

A history of the alphabet throughout the ages by David Diringer | Gresham Books 1983

Invite to Norman & Alethea Garstin Penwith Gallery Society of Artists | Private view card, May 1978

The Dedication of Books by Henry B. Wheatley | Elliot Stock, 1887 (ex-library)

Type & Typography. Highlights from the Matrix, the review for printers & bibliophiles | Mark Batty, 2003

Patrick Hayman: a Voyage of Discovery | South Bank touring exhibition catalogue, 1990

Prospectus leaflet – Butterflies: poems by David Burnett, drawings by Rosemary Roberts | Celtic Cross Press

John Baskerville – Type Founder & Printer | Intertype Corporation, New York, 1939

Valérie Belin 1999/2001 | Galerie Xippas, Paris 2001

Architect For Art: Max Gordon, 2010 | Marquand Books

Keith Vaughan | Marlborough Gallery 1964 | Gordon House catalogue design

Egyptienne Breit Fett type specimen Lettergieterij Amsterdam | design by Walter H. McKay, undated possibly c. 1956

1954 Exhibition of Dutch and Flemish Masters | Eugene Slatter, London, 1954

Giovanni Pozzi | Francesco Donna et Alde Manuce | Monotype Corporation, 1962