Linotype Bodoni. Type specimen sheet. Undated, maybe 1967

PREFAB by Allison Arieff and Bryan Burkhart | Gibbs Smith, 2002

Reynolds Stone. A Memoir by Humphrey Stone | The Dovecote Press, 2019

Henry Lamb. The Artist and his Friends by Keith Clements | Redcliffe Press, 1985

Book Design and Production – Vol 6 No 1 1963 | Editor Kenneth Day

Paradise Row | Artist Shezad Dawood | Curated by Chris Hammond | Architect Tughela Gino | MOT International, 2005

Anthony Caro Sculpture 1960–1963 | Whitechapel Art Gallery catalogue booklet, 1963

Paul Nash. Fertile Image edited by Margaret Nash | Faber & Faber, 1975

The Non-objective World 1939-1955 | Annely Juda Fine Art, 1972

Esprit de Corps: The Art of the Parisian Avant-Garde... Kenneth E. Silver 1989

Olivier Dassault. Revelations | Marlborough New York | 2018 exhibition catalogue

Typographic Journal of the Society of Typographic Designers | Issue 40, Summer 1990 | Guest editor Andrew Boag

Poster for Tom Phillips: graphics held at The Bluecoat Gallery, Liverpool, 1973

20th Century British Drawings | Wolseley Fine Arts exhibition catalogue, 2003

Laurence Alloway. Critic and curator | Edited by Lucy Bradnock, Courtney J. Martin, and Rebecca Peabody | Getty Research Institute, 2015

Piers Browne | Walker Galleries Harrogate, 2015 exhibition catalogue

Derek Greaves. Six decades of paintings | Wingfield Arts, 2002

Walking the Landscape. With Cotman and Turner in Teesdale | Bowes Museum catalogue, 1996

Sharon Lockhart | Noa Eshkol | Israel Museum, Jerusalem | Prestel 2012

[Antoni] Clavé | Exhibition catalogue | Sala Gaspar Barcelona, 1961

Vasarely | Plastic Arts of the 20th Century (Victor Vasarely, 1965)

British Sources of Art Nouveau | Whitworth Art Gallery, 1968

Linotype Express Summer 1984 Issue No 3 | Published by Linotype-Paul Ltd

The Identification of Coats of Arms on British Silver | Hubert Chesshyre, 1978

Peter Halley | Waddington Galleries, London, 1999

The Week-End Book | The Nonesuch Press, London, 1928

David Jones – artist and writer | David Blamires | Manchester University Press, 1978

Tim Hayward. Birds of Prey | Jonathan Cooper, undated

Michael Craig-Martin – Constructions and wall drawings | Waddington Galleries exhibition card, 1982

Anthony Hill. A retrospective exhibition – Hayward Gallery folded leaflet, 1983

Folded card for Anthony Hill Recent work | Kasmin Ltd, 1969

Type specimen sheet: A specimen of a classic book face Linotype Granjon Old Face, 1963

Oxford Poetry Now 4 | Trinity 78 | James Lindesay, Bruno Tolentino | Cover by Graham Sutherland

Marcel Duchamp - Man Ray. 50 years of Alchemy | Sean Kelly Gallery, New York, 2004

Lyonel Feininger. Drawings and watercolours | Marlborough Sep/Oct 1968 cat.238 typography by Gordon House

Corneille. First London exhibition | Brook Street Gallery, London, Nov/Dec 1961

Carel Visser | Stedelijk Museum – exhibition catalogue no. 240, 1960

Linotype Library – Typeface Handbook | Adobe PostScript Language, 1988

Surrealism Permanent revelation by Roger Cardinal & Robert Stuart Short | Studio Vista, 1970

Looking West. Paintings inspired by West Cornwall from the 1880s to the present day |Newlyn Art Gallery and Royal College of Art, 1987

Mark Gertler - the early and the late years | Ben Uri Art Gallery, 1982

Henry Lamb – People and Portraits | Messums Wiltshire catalogue, 2018

Cover to Cover: The Artist's Book in Perspective | Rob Perrée | NAi Publishers, 2002

Alex Flemming | Corpo Coletivo | Centro Cultural, Banco de Brasil 2001 catalogue

A Handbook of Printing Types... Used by Cowells | John N.C. Lewis, 1948 | Second edition

Eric Gill and Ditchling: The Workshop Tradition | Ditchling Museum, 2007 | Ruth Cribb

Leaflet to promote A Handful of Hares | Anne Cathcart | Inky Parrot Press, 2009

Playing Live: Paintings and sculpture about performance | Selected by Robert Ayres | The Loseby Gallery, 1984 catalogue