Below the glaze. A family affair. Delftware facts and figures | Robert D. Aronson, Celine Ariaans, Sacha Serra | Aronson Delftware, 2019

Serge Alain Nitegeka. Black subject/s. Black Lines | Stevenson, Johannesburg and Le Manège gallery Dakar, 2012

Sandra Porter Siena Series | James Hockey Gallery, Farnham 1991

Leaflet 'Monotype' Machines in the Making | Monotype Corporation, undated

Ercol furniture brochure – 'Perfection in detail', dated 2001

Le Petit Echo de la Mode French fashion journal x 10 issues: 2 x 1938 & 8 x 1939

Typographic connections. A European conference about typographic history, theory and practice | The Monotype Conference, 1992

Book Design: A Few Quotations... Selected by Geoff Green | Wynkyn de Worde, 2007

Modern First Editions. The Collection of Peter App Bologna Christie's 5 Nov 1999

Van Den Vos Reynaerde | A. A. Balkema, Amsterdam 1940

Roy Fisher. Correspondence. Tom Phillips. Tetrad Press, 1970 limited edition signed

Joe Tilson. Works from 1961 to 1970 | Waddington Galleries, 2006

Eleanor Gates – Black Moods, Blue Demons | Bonington Art Gallery, Trent Polytechnic | 1989 catalogue

British Painting 1925-50. First Anthology. Arts Council Festival of Britain 1951

LUX – Zur Schönen [Jacob] Erbar-Grotesk | Type specimen | Ludwig & Mayer 1930s?

The Grosvenor Gallery: A Palace of Art in Victorian England | Susan Casteras and Colleen Denny | Yale Center for British Art, 1996

Afterall: A Journal of Art, Context and Inquiry, 17 Spring 2008

Essays on Mexican Art by Octavio Paz | Fondo de Cultura Económica, 1987

Thomas Lawson – Viennese Paintings, folded sheet | Norwich Gallery, Anthony Reynolds Gallery 1995

Il Canal Grande di Venezia | Antonio Quadri | Facsimile Vianello Libri | 1990 Facsimile edition

Bernhard Brushscript type specimen | Frederick Wesselhoeft 1930s Lucian Bernhard

René Magritte by James Thrall Soby | The Museum of Modern Art, New York, 1965 second printing

Advertisers Gothics. American Type Founders type specimen sheet, undated

The History of Printing | Society for Promoting Christian Knowledge, 1860s?

Russian Emigré Artists in Paris | The Redfern Gallery, London, 1954

Type specimen – Ludlow Garamond Bold and Italic | Ludlow Typography Company | Undated

The Seaplanes by Henry R. Palmer Jr. Morgan Aviation Books, 1965 2nd printing

Claes Oldenburg – exhibition catalogue booklet | Tate Gallery, 1970

Ivon Hitchens | Royal Academy of Arts 1979 exhibition catalogue

The Century of Artists’ Book by Johanna Drucker | Granary Books, 1995

PM – Journal for Production Managers | Volume III, No. 7, March 1937

Robert Therrien by Lynn Zelevansky | Los Angeles Museum of Art catalogue, 2000/01

Marsden Hartley | Stedelijk Museum catalogue | Cat. no. 260, 1962

Folding card for Alan Lowndes. Paintings 1948-1972 | Crane Kalman and Rutland Gallery, 1972

Kandinsky – The Munich Years 1900-14 | Edinburgh International Festival catalogue booklet, 1979

The London Bookshop - Part 2 | Richard Brown and Stanley Brett, 1977

A Humument page 230 'Saturday displeasure' by Tom Phillips | The Tetrad Press, 1970

The Palace Theatre, London programme c.1915

Cézanne and the End of Impressionism by Richard Shiff | Paperback, 1986

Allen Jones: Recent Paintings | Arthur Tooth & Sons catalogue, Feb-Mar 1963

J.J. Gardenier by Charles Wentinck | Uitgarve: J.P. Hagelhout, Arts de Holten, undated

Promotional card for Albert Irvin | New Art Centre, London, 1971

Forte: a new Monotype Script Face Designed by Carl Reissberger | Type specimen

Joseph Southall 1861-1944. Artist Craftsman The Fine Art Society 1980

Mongolia. The Legacy of Chinggis Khan | Asian Art Museum of San Francisco 1995

Brangwyn in Perspective | Diana de Vere Cole | One Roof Press 2006

Trailer by Tom Phillips. From an edition of 500 signed and lettered edition Hansjorg Mayer

Borta Men Hemma | Moderna Musee Stockholm 1994