Monotype News Letter 44 | April 1952 – How and Why Type Faces Differ | Broadsheet

Keepsake presented to the Friends of The Composing Room, Inc. A Specimen of Printing Types Benjamin Franklin Bache's Printing Office

Trademarks of the ‘40s & ‘50s by Eric Baker and Tyler Blik | Angus & Robertson, 1989

Klaus Lehmann: serendipity | Galerie Metzger, 2017

Liebig small paper advert Antica marca prodotti Compagnia Italiana Liebig 1954

Important Announcement to Users of Intertype Matrices | 1959 booklet

The Fine Art Collections – Pallant House catalogue 1990 | Text by David Coke

Cambridge Opinion magazine | No. 52, 'Revolution' | Edited by Peter Kellner, 1968

1997 reprint of the text 'Warm Printing' by Willem Sandberg – from the 1969 Stedelijk Museum exhibition

The Triumphant Bore. A celebration of Marc Brunel’s Thames Tunnel | James Howden

4-Line Mathematics | Monotype information sheet, No 156, March 1959

Recent Paintings 1949-50 by Ben Nicholson | The Lefevre Gallery, October 1950

Ernest Hareux: Mixing of Colours Taught By Exemplification | H. Laurens, Editeur, Paris, and Lechertier Barbe Ltd, London, c.1890-1900

Ceri Richards | Marlborough June-July 1963 cat.no. 117 design Gordon House

A-D An Intimate Journal for Art Directors | April-May 1941 Vol 7, 4 George Giusti

Mario Testino. Disciples | Timothy Taylor Gallery exhibition catalogue, 2003

British Sculpture since 1945 by Dennis Farr | Tate Gallery, 1965

The Day it Rained Forever by Ray Bradbury | Penguin Science Fiction, 1984

Corbusier Comes to Cambridge: Post-War Architecture and the Competition to Build Churchill College by Mark Goldie | Thinking Through Architecture: the Churchill College Competition, Colvill Hall, Churchill College 5-26 October 2007

Eduardo Paolozzi at new worlds. Science fiction and art in the sixties by David Brittain | Savoy Books, 2013

Gilbert and George: New Testamental Pictures | Galerie Thaddaeus Ropac, 1998

Frieze – Contemporary Art and Culture magazine | Issue 61 (UK), September 2001

Aspects of Abstract Painting in Britain 1910-1960 | Talbot Rice Art Centre exhibition catalogue, 1974

The Nonesuch Compendious Series of Classics | Undated promotional leaflet

Kcho. Retrasando lo inevitable | Marlborough Madrid catalogue, 2007

The Sculpture of Frank Dobson by Neville Jason & Lisa Thompson-Pharoah | Lund Humphries, 1994

Charles Willson Peale by Charles Coleman Sellers | Charles Schribner's Sons, 1969

The Magic of a Line. The autobiography of Laura Knight | William Kimber, 1965

Fine Art Department Trent Polytechnic Nottingham 1973 Diploma show booklet head Derek Carruthers

Printing and Publishing in Medieval China by Denis Twitchett | Wynkyn de Worde, 1983

Novena Bienal de la Habana 2006. Centro de Arte Contemporáneo Wilfredo Lam, 2006

Alphabet and Image – issue number 3 | Design and print journal, December 1946

Edward Bawden by Robert Harling | Art & Technics, 1950

Letters for the Millennium – Why we cut letters in stone by Emma Lloyd-Jones, Lida Cardozo Kindersley | Kindersley 1999

John Piper. A Painter’s Camera – Buildings and Landscapes in Britain 1935-1985 | Alan Bowness | Tate, 1987.

Géricault to Courbet: a new look at the period | Roland, Browse & Delbanco, 1965

Jack Smith – Recent Paintings | Fischer Fine Art London, 1981 | Folded card

Richard Hamilton Prints 1984–91 | Edition Hansjörg Mayer, Waddington Graphics, 1992

Gregory Memorial Exhibition – Leeds City Art Gallery, 1960 | Introduction by Herbert Read

Poems in the Porch | John Betjeman & John Piper | S. P. C. K, 1960

How and Why Type Faces Differ | Monotype Corporation fold-out poster undated

Josef Herman’s Drawings and Studies by Peter Davies Redcliffe Press, 1990

Lynn Chadwick – New Work | Marlborough Fine Art exhibition catalogue, 1989

Re-emerge: Towards a New Cultural Cartography | Sharjah Art Foundation catalogue, 2013

Promotional leaflet for Oscar Wilde by Frank Harris with a preface by Bernard Shaw | Constable & Co, 1938. Maggs Bros

Frank Lloyd Wright’s Imperial Hotel by Cary James | Dover Publications, 1988

Abram Games – Maximum Meaning, Minimum Means | Design Museum, 2003

The French Impressionists and some of their contemporaries | Wildenstein & Co 1963