English Silver by Judith Banister | Ward Lock 1969, fourth impression

Leaflet and order form for Edward Bawden Linocuts. Merivale Editions, c.1988

Stubbs in the 1760s | Thomas Agnew, 1970

Graphis journal No 213 Vol 37 1981/82 | Edited by Walter Herdeg | Graphis Press Corp

Pentagram Marks 400 Symbols and Logotypes | Pentagram, 2008

A Humument page 36 'THE sound.' by Tom Phillips | The Tetrad Press, 1970

Muybridge and the Chronophotographers by Brian Coe | British Film Institute | MOMI, 1992

The Sutton Hoo Ship Burial. A Provisional Guide Trustees of British Museum, 1947

At Home in Renaissance Italy | edited by Marta Ajmar-Wollheim and Flora Dennis |V&A, 2010

Japanese Book-binding by Kōjirō Ikegami | Weatherhill, New York, 1986

French Paintings. Victoria and Albert Museum. Large Picture Book 3. HMSO, 1949

Photosetting by Andrew Bluhm | Pergamon Press, 1968

Artwork for Royal Mail – Culzean Castle and Ailsa Craig | Design by Ruari McLean Associates | Produced in 1976

William Thorowgood type specimen leaflets x 2 | Stephenson Blake / Caslon 1950s?

Tate Modern: The First Five Years | Tate, 2005 booklet

The Political Thought of Ben Barka | Tricontinental Publishing, Havana, 1968

E.L.T. Mesens | Grosvenor Gallery exhibition catalogue | 1961

An exchange exhibition of work by artists from Valencia and Southampton | Southampton Institute of Higher Education catalogue, 1993

Every corner was a picture. 50 artists of the Newlyn Art Colony 1880-1900. A checklist | Compiled by George Bednar for West Cornwall Art Archive, 1999

Édouard Vuillard a Loan Exhibition Benefit of Dorton House School Arthur Tooth, 1969

Concerning concrete poetry by Bob Cobbing and Peter Mayer | Slimvolume, 2014

Pierre Carron. First London exhibition of paintings | Crane Kalman Gallery, 1961

Flaubert’s Dictionary of Accepted Ideas | Translated by Jacques Barzun, 1954

The National Gallery Review, April 2004 – March 2005

Bill Brandt Photographs | Arts Council, Hayward Gallery, 1970

Richard Hamilton Retrospective. Paintings & Drawings 1937-2002 | 2003

Fine Art Society | Exhibition programme leaflet for 1997

Typography 8 – Summer 1939 | Journal edited by Robert Harling | Shenval Press

William Blake and His Circle | Birmingham Museum exhibition guide, 1998

Hervé Half. Le faune polymorphe. Natalie Mei. Neo, Paris, 2004

The Art of Making Fine Prints | ABC | Early 20th century | J.R. Riddell et al

Abram Games. Graphic Designer | Naomi Games and Catherine Moriarty | Lund Humphries, 2003

Eric Gill ‘Matter and Spirit’ | Gillian Jason Gallery, 1982

From A to Z: The Collected Letters of Irene and Hallie Coletta | Prentice Hall, 1979

Libby Raynham Paintings | Edition Howeg, Zurich, 2001

Collectie Rolf E. Stenerson | Stedelijk Museum catalogue | Cat. no. 309, 1962

Light Lines. The Architectural Photographs of Hélène Binet | Royal Academy 2021

Avant Garde Graphics 1918-1934 | Hayward Gallery | Exhibition catalogue, 2004

The Leach Pottery – Bernard Leach | Catalogue 1960-61

The Orange and The Rose: Holland and Britain | Victoria & Albert Museum, 1964 + private view

Fortune Magazine August 1932 | Paolo Garretto cover | Joel Barber decoy ducks

Aesthetics & Painting by Jason Gaiger | Continuum, 2008

Reliefs, Sculpture | Exhibition catalogue | Marlborough New London Gallery, 1966

John Salt. The Complete Works 1969-2006 by Linda Chase | Plus One Publishing in association with Philip Wilson Publishers, 2007

Ébneth | Stedelijk Museum Amsterdam catalogue | Cat. no. 307, 1962

Catalogue of an Exhibition of Type Specimens 1918-1930 | Saint Bride, 1930

Alberto Burri. Black Cellotex | Luxembourg & Dayan New York, 2013 exhibition catalogue

Odd Types - photography of letterforms | Fontware Limited brochure