Prospectus for A History of Wood-Engraving by Douglas Percy Bliss | J.M. Dent & Sons Ltd, c .1928? | Cornish Brothers booksellers stamp

Ganz Grobe Gotische type specimen booklet | Otto Weisert Schriftgiesserei, 1930s | Friedrich Hermann Ernst Schneidler

Linotype Decorative Material – Supplementing the April 1925 edition | July 1926

Michel Erhart & Jörg Syrien d. Ä. Spätgotik in Ulm | Ulmer Museum catalogue, 2002

Visible Language – Research Journal | Volume IX, Number 2, Spring 1975

The Burlington Magazine – Sculpture | November 2009 CLI no. 1280

Picasso sculpteur. Beaux Arts Hors Série, 2000

Transitional Object [Psychobarn] Cornelia Parker | Royal Academy of Arts, 2018

Margaret Benyon First Nottingham Exhibition | University Art Gallery, 1969

Patrick Caulfield | Waddington Custot Galleries, 2013

Favorsky: 50 Years of His Graphic Art 1912-1960 | Grosvenor Gallery, London Sevenarts 1962

English Silver by Judith Banister | Ward Lock 1969, fourth impression

Leaflet and order form for Edward Bawden Linocuts. Merivale Editions, c.1988

Stubbs in the 1760s | Thomas Agnew, 1970

Graphis journal No 213 Vol 37 1981/82 | Edited by Walter Herdeg | Graphis Press Corp

Pentagram Marks 400 Symbols and Logotypes | Pentagram, 2008

A Humument page 36 'THE sound.' by Tom Phillips | The Tetrad Press, 1970

Muybridge and the Chronophotographers by Brian Coe | British Film Institute | MOMI, 1992

The Sutton Hoo Ship Burial. A Provisional Guide Trustees of British Museum, 1947

At Home in Renaissance Italy | edited by Marta Ajmar-Wollheim and Flora Dennis |V&A, 2010

Japanese Book-binding by Kōjirō Ikegami | Weatherhill, New York, 1986

French Paintings. Victoria and Albert Museum. Large Picture Book 3. HMSO, 1949

Photosetting by Andrew Bluhm | Pergamon Press, 1968

Artwork for Royal Mail – Culzean Castle and Ailsa Craig | Design by Ruari McLean Associates | Produced in 1976

William Thorowgood type specimen leaflets x 2 | Stephenson Blake / Caslon 1950s?

Tate Modern: The First Five Years | Tate, 2005 booklet

Catalogue/card for Oskar Kokoschka: London from the River Thames | Marlborough Graphics, 1967

The Political Thought of Ben Barka | Tricontinental Publishing, Havana, 1968

E.L.T. Mesens | Grosvenor Gallery exhibition catalogue | 1961

An exchange exhibition of work by artists from Valencia and Southampton | Southampton Institute of Higher Education catalogue, 1993

Every corner was a picture. 50 artists of the Newlyn Art Colony 1880-1900. A checklist | Compiled by George Bednar for West Cornwall Art Archive, 1999

Édouard Vuillard a Loan Exhibition Benefit of Dorton House School Arthur Tooth, 1969

Concerning concrete poetry by Bob Cobbing and Peter Mayer | Slimvolume, 2014

Pierre Carron. First London exhibition of paintings | Crane Kalman Gallery, 1961

Flaubert’s Dictionary of Accepted Ideas | Translated by Jacques Barzun, 1954

The National Gallery Review, April 2004 – March 2005

Bill Brandt Photographs | Arts Council, Hayward Gallery, 1970

Richard Hamilton Retrospective. Paintings & Drawings 1937-2002 | 2003

Fine Art Society | Exhibition programme leaflet for 1997

Typography 8 – Summer 1939 | Journal edited by Robert Harling | Shenval Press

William Blake and His Circle | Birmingham Museum exhibition guide, 1998

Hervé Half. Le faune polymorphe. Natalie Mei. Neo, Paris, 2004

The Art of Making Fine Prints | ABC | Early 20th century | J.R. Riddell et al

Abram Games. Graphic Designer | Naomi Games and Catherine Moriarty | Lund Humphries, 2003

Eric Gill ‘Matter and Spirit’ | Gillian Jason Gallery, 1982

From A to Z: The Collected Letters of Irene and Hallie Coletta | Prentice Hall, 1979

Libby Raynham Paintings | Edition Howeg, Zurich, 2001

Collectie Rolf E. Stenerson | Stedelijk Museum catalogue | Cat. no. 309, 1962