Types for the New Century | The Worshipful Company of Stationers and Newspaper makers | 2012 exhibition catalogue

Milk Needs Care, Keep it Cool, Clean Covered | National Dairy Council public information poster | National Dairy Council | Design by Bill Morden

Folding card/catalogue for Michael Williams. Recent Landscapes | Austin/Desmond Fine Art undated c.1988

The Wood-Engravings of Robert Gibbings by Thomas Balston | Art and Technics, 1949

Anton Nickson | Lemon Street Gallery 2007

Max Ernst | Institute of Contemporary Arts ICA/Tate Gallery, 1961 | Richard Hamilton, Gordon House catalogue design

The Human Form in Clay by Jane Waller | Crowood, 2001

The June-July List of the Scholartis Press, 30 Museum Street | Eric Partridge | Undated, c.1928

A Humument page 292 'Pash without a prey' by Tom Phillips Tetrad Press, 1970

Howard Morgan. Off the record | Richmond Gallery, London, 1986

Galerie Urs Meile | Beijing. Lucerne, 2008

David Martin. Thoughts on Landscape and Still Life | Lemon Street Gallery, 2011

Open Air: The Changing Landscape of 20th Century Signage | 2000

English Airs. New Paintings by David Prentice | John Davies Gallery 2003

Max Bill. Typography, advertising, book design | Niggli, 1999 hardback

Paul Storey. Paintings 1987-89 | Fischer Fine Art 1989

A dictionary of surrealism by José Pierre | Eyre Methuen, 1974

A Printmaker’s Handbook edited by Silvie Turner | Estamp, 1989

Leaflet – Margaret Bruce Wells: Complete Wood Engravings | The Wood Lea Press, 2000

Richard Wentworth. Sculpture | Riverside Studios, London, 1987

John Wonnacott. Recent Paintings | Agnew's 1992

Retrospective Adventures. Forrest Reid: Author and Collector | Ashmolean Museum/Scolar Press, 1998

Elsa Taylor. Aspects of Colour | Lemon Street Gallery 2017

Folding card for [Edward] Bawden's London - Fry Art Gallery, Alan Powers 2001

Elsa Taylor A Conversation in Colour | Lemon Street Gallery, 2014

Sybil Andrews. Paintings and Graphic Work | Michael Parkin Fine Art, 1980

Fold-out card for Pol Bury Moving Sculptures and Cinetizations | Kasmin Ltd, 1967 [kinetic art]

Inscape. The design of interiors edited by Hugh Casson | Architectural Press, 1968

'60 '80 attitudes | concepts | images | Stedelijk Museum Amsterdam 1982

Martin Parr by Val Williams | Phaidon, reprint 2005 softback edition

British Wood-Engraved Book Illustration 1904-1940 by Joanna Selborne | Clarendon Studies in the History of Art | OUP, 1998 inscribed by the author to Simon Brett

Theodore Roszak by H.H. Arnason | Walker Art Center, Minneapolis, 1956

The Medal. British Art Medal Society BAMS journal. Issue No. 60, Spring 2012

Henry Moore exhibition catalogue | Knoedler Marlborough Fine Art, March-April 1962 | Design by Gordon House

Neue Sachlichkeit & German Realism of the Twenties Hayward Gallery Arts Council, 1978

Leben in Linie Muster und Farbe by Brigitta Hauser-Schäblin | Birkhäuser 1989

Fine Art Painting degree show 1991 Wimbledon School of Art

Five Decades of the Burin The Wood Engravings of John DePol | David R. Godine, 2004 | bookplate for Simon Brett

Peter Lanyon 1918-1964. Bilder 1960-1964 Gimpel & Hanover Galerie 1964

Jim Todd. Images from Leipzig 1991-92 touring exhibition 1995 inscribed

'The field calls me to labour'. Watercolours of nineteenth-century rural Britain by Robert Hills Fitzwilliam

Drawings by Modern Belgian Artists by Jan-Albert Goris | Belgian Government Information Center New York 1951. Art, Life and Science in Belgium, No. 21.

Landscape, Memory and Desire | Serpentine Galleries 1984/5 Andrew Mansfield et al

Leaflet R.W. Hunt Memorial Exhibition | Bodleian Library, Oxford, 1980

Edward McKnight Kauffer a designer and his public by Mark Haworth-Booth V&A 2005

Leaflet Britain's Ceramic Industry British Ceramic Manufacturers Federation 1976

Soho in the Fifties by Daniel Farson | Michael Joseph, 1987 | Introduction by George Melly

Giovanni Pozzi | Francesco Donna et Alde Manuce | Monotype Corporation, 1962