Chien-Ying Chang, Edouard Pignon, John Craxton, Stella Steyn | Leicester Galleries, Ernst Brown & Philips Ltd, December 1951 exhibitions 974-977

English Prayer Books: An Introduction to the literature of Christian public worship by Stanley Morison | Cambridge University Press, 1949 3rd edition

The Windows of the Cathedral of St Paul Worcester Mass by Clare Leighton

Bryan Kneale Sculpture Paintings Drawings | Redfern Gallery, London, November, 1960

Vordemberge-Gildewart - a Visual Biography | Verlag Arthur Niggli, 1959

Henry Moore exhibition catalogue | Knoedler Marlborough Fine Art, March-April 1962 | Design by Gordon House

The Fleuron Journal of Typography by Stanley Morison 5 vols reprint 1970

Cubism. A History and Analysis 1907-1914 by John Golding | Faber & Faber, 1959

The art of wood engraving & relief engraving by Barry Moser | David R. Godine 2006

Gifts – West Norway Museum of Decorative Art Jubilee book, 2012 | Joruun Haakestad

Vaserely | Hanover Gallery, London, 1965

Noel Betowski | Betowski Gallery Penzance exhibition catalogue undated

The Collection of Edward Albee | Sotheby’s New York catalogue, 26 September 2017

John Craxton by Ian Collins | Lund Humphries, 2011

Monotype Corporation Super Caster fold out poster / broadsheet, undated

Heredity and Woolcraft, compiled by Diana Chabot | Buckinghamshire knitting 1961?

The Documents of 20th-Century Art: My Galleries and Painters | Daniel-Henry Kahnweiler with Francis Crémieux | Thames & Hudson, 1971

Introduction to Typography by Oliver Simon | Pelican – revised 1954 edition

Michael Canney. Paintings, Constructions, Reliefs | The Belgrave Gallery, London, 1990

Graphis journal No 216 Vol 37 1981/8 | Walter Herdeg, The Graphis Press

Bleu, blanc, rouge. Les couleurs de la France dans la peinture Francaise | Libraire Séguier, 1989

Holderness in Old Picture Postcards | Ben and Mave Chapman | European Library, 1995

Nonesuch News – 1935 – broadsheet/poster folded | The Nonesuch Press

John Nash. British Artists of To-Day No 11 | The Fleuron, 1925 | Introduction by Sidney Schiff

The Golden Cockerel | British Private Press Books | A Special Selection for Connoisseurs, 1958

Wood engravings by Jonathan Gibbs | Open Eye Gallery, 1999

Out Of The Ivory Tower: The Independent Group and Popular Culture by Anne Massey | Manchester University Press, 2013

Landlords to London. The story of a capital and its growth by Simon Jenkins 1975

Jean Dubuffet | Galerie Hopkins-Custot, 2007

Stéphane Mallarmé – For Anatole's Tomb intro Patrick McGuinness 2003

Private view invite for Tribute to Edward Bawden | Fine Art Society, 1992

Folding card for Bryan Wynter. Drawings & Gouaches 1940-1950 | New Art Centre, 1983

Gwen Raverat. Friends, family & affections. A biography by Frances Spalding | The Harvill Press, 2001

Pintura – Museu Calouse Gulbenkian | 35mm slides in folder with text, 1995

Émigrés – The Transformation of Art Publishing in Britain by Anna Nyburg | Phaidon, 2014

Paul Wunderlich | Galleria Schwarz, Milan exhibition catalogue, 1972

Donald Baechler | Galerie Thaddaeus Ropac exhibition catalogue, 1998

The Didot Family and the Progress of Printing | Albert J George | Syracuse University

Futurist Art and Theory by Marianne W. Martin | Clarendon Press, 1968

Ellen Gallagher: AxME | Tate, 2013/14

Typographic 13. Journal of the Society of Typographic Designers March 1979

Scientific Copyfitting for Composition on Monotype [Corporation] Machines

The World of Null-A by A. E. van Vogt | Vintage paperback | Ariel Press, 1970

Jake & Dinos Chapman – If Hitler Had Been a Hippy How Happy Would We Be | White Cube catalogue, 2008

Flash type specimen Enric Crous-Vidal | Fonderie Typographique Français 1953

Eileen Cooper 50 | Art First Contemporary Art catalogue, 2003

French Popular Imagery | Hayward Gallery catalogue | Arts Council, 1974

Graphis No 236 Vol 41 | March/April 1985 | Graphis Press Corp