Untitled 12 (Golden Tapestry)

This work stages a quiet confrontation between two porous, cloudlike masses, their frayed edges hovering like coastlines around a central axis of strict vertical lines. The disciplined spine—punctuated by three suspended orbs—reads as a measuring rod for the immeasurable, holding in tension the organic scribble of lived time against the insistence of order and symmetry. Rusted ochres and pale grounds evoke sediment and archival paper, suggesting memory as both erosion and accumulation, where intimacy forms in the narrow, charged interval between opposing fields.