Untitled 1

This work stages an architecture of memory: a cool, ash-grey field holds suspended blocks of cobalt and chalky white, as if blueprints and tides have been pressed into the same surface. Incised, rhythmic striations sweep across the forms, turning flat geometry into a breathing topography where light seems to skim and catch like wind over water. The composition oscillates between containment and rupture—grids, arches, and sketched arcs proposing order while the layered textures insist on erosion, revision, and time’s gentle abrasion. What emerges is a quiet meditation on built space as a vessel for feeling, where structure becomes not certainty but an ever-adjusting map of interior weather.