

Two lacquered red formsβpart apple, part spinning topβstand in a hushed white expanse, their mirror-gloss skins catching light like controlled pulses of desire. The composition hinges on a quiet dialogue of scale and balance: one object settles closer to the ground while the other lifts, poised on a pinprick point, turning domestic familiarity into a tense act of equilibrium. By fusing fruit with toy, the work suggests how temptation, play, and discipline share the same polished surface, inviting the viewer to sense motion held in suspension. The emptiness around them becomes a stage for anticipation, where stillness feels like the moment just before a spin begins.







