Assemblages I

Set against a fevered red field, this mixed-media relief reads like an urban palimpsest—its scraped greys and printed traces suggesting memory overwritten by industry and time. Three pale discs and a single dark aperture hover like moons and manholes, shifting the work between celestial quiet and infrastructural grit, as if the city’s unconscious were exposed. Ribbed verticals and circular grooves orchestrate a measured rhythm, while the stark contrast of light and void turns the surface into a meditation on presence, absence, and the engineered order we rely on yet barely notice.