Assemblages Ix

This assemblage reads like an archaeological cross‑section of a modern city: a dense grid of apertures, rings, and windowlike compartments that suggest both habitation and surveillance. The palette of bruised reds, soot blacks, and abraded whites carries the patina of wear, while the central eye‑shaped form radiates hard light as if technology has become a new, mechanical sun. By layering industrial fragments into a shallow relief, the artist compresses interior and exterior space, turning architecture into a psychological diagram of repetition, containment, and restless urban memory.