Red Horn

This sculptural form stages a quiet collision between the earthy and the theatrical: a matte, obsidian body swells and loops with biomorphic inevitability, while two lacquered red protrusions rise like exclamation marks, insistently alive against the sculpture’s grounded mass. The composition hinges on tension—weight and lift, softness and rigidity—accented by the thin gold bands that read as ceremonial thresholds between instinct and artifice. In its spare palette and rounded anatomy, the work suggests a surreal totem of desire and restraint, where the viewer is invited to oscillate between reading it as creature, vessel, or abstract psyche.