Untitled

This composition stages a quiet architecture of memory: layered planes of ochre, soot-black, and rust are held in a disciplined grid, while soft blooms of light seep through as if the surface were breathing. The central diamond reads like a sealed reliquary—its diagonal partitions and faint, script-like marks suggesting a coded diary, half-erased by time and handled passage. Threadlike arcs drift across the field, loosening the geometry with a sense of migration and return, so the work oscillates between containment and release, certainty and disappearance.