

The young womanβs clothing is not in keeping with the fashions of Rembrandtβs day, but rather reflects styles of earlier centuries. The womanβs distinctive features β a domed forehead, slightly bulging eyes, and pronounced chin β are easily recognized in depictions of ancient goddesses and heroines that Rembrandt painted in the 1630s. Thus the painting is not strictly a portrait, but a βtronieβ, or fantasy head.







