Untitled 71

A field of saturated red spreads like a charged atmosphere, interrupted by blunt blocks of ochre and orange that feel at once architectural and bruised—forms trying to hold their ground against a tide of emotion. Above, a misted grey scaffolding and pale, slipping planes suggest memory or industry, a cooler register where certainty dissolves into haze. Two taut diagonal white lines cut through the surface like measured decisions, turning the painting into a site of negotiation between impulse and control, eruption and restraint. The scratched, layered textures read as evidence—traces of impact and revision—so the work becomes less an image than a record of persistence under pressure.