Abstract Landscape 1 (Bird in the Abstract)

Broad, interlocking planes of teal, ochre, and earthen brown fold into one another like a quiet topography, where a central, seed-like form seems to germinate from the meeting of darker bands. The surface’s insistent texture catches light in small facets, turning color into a tactile presence and giving the composition a slow, weathered pulse. Suspended between landscape and body, the work reads as an interior map—an allegory of growth and containment—where boundaries are not rigid lines but negotiated passages of shadow and warmth.