

Carved in pale stone, the sculpture rises like a quiet totem—part vessel, part body—its softened edges and nested cavities inviting the eye to move inward as if reading breath through successive chambers. The crown’s undulating crest introduces a note of organic unrest, counterbalancing the work’s calm symmetry and suggesting growth, erosion, and the persistence of form over time. Light grazes the surface and disappears into the voids, turning absence into structure and framing an eloquent meditation on containment: what we hold, what we release, and what remains resonant in the hollow.







