Untitled 13

This black-and-white composition folds a profile visage into a labyrinth of geometric partitions and cellular textures, as if identity were being assembled from fragments of architecture and memory. The stark negative space of the face becomes a quiet sanctuary amid surrounding density, while the ink’s saturated blacks and dripping edges suggest thoughts that pool, spill, and refuse containment. Repeating dots, scales, and grids create a nervous visual hum—an urban-tribal tapestry—turning the portrait into a map of inner circuitry where observation and selfhood are continuously negotiated.