



Two green peppers recline in a muted field of graphite-like tracery, their dense, velvety volume emerging as the only sustained color against a quiet, uncertain ground. The composition stages a delicate tension between presence and dissolution: the peppers feel ripe and bodily, yet they seem to rest on a sketched-out world that never fully solidifies, as if memory is still drafting the scene. Subtle modulations of light along their curved skins turn ordinary produce into contemplative formsβsmall monuments to nourishment, vulnerability, and the fleeting moment before decay. The surrounding linework reads like an echo or aura, suggesting that what sustains us is always bordered by what we cannot quite hold.







