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Reclining Youth Gm-00030501

CHF 20
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Giclee Matte Art Paper (18" x 24") 45 x 60cmGiclee Matte Art Paper (44" x 60") 112 x 152cmStretched Canvas (16" x 20") 40 x 50cmStretched Canvas (28" x 28") 70 x 70cmStretched Canvas (24" x 36") 60 x 90cmStretched Canvas (24" x 48") 60 x 122cmGiclee Matte Art Paper (24" x 36") 60 x 90cmStretched Canvas (32" x 48") 80 x 122cmGiclee Matte Art Paper (30" x 40") 75 x 100cmNote Cards (4.7" x 6.5") 12 x 16.5cm Pack of 4Stretched Canvas (18" x 24") 45 x 60cm
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Pontormo (Jacopo Carucci) (Italian (Florentine), 1494–1557) Using soft, broad strokes of black chalk, Pontormo built up the figure of a young man lying on his right side, propping himself up on his elbow. Ambiguous facial features indicate that Pontormo was more interested in the figure's posture than in a true likeness of an individual. Pontormo made this drawing as a preparatory study for a scene of the martyrdom of Saint Lawrence for the Certosa del Galluzzo, a monastery outside Florence. However, it was Pontormo's pupil Bronzino who executed the finished fresco.

Saint Lawrence is usually depicted as a young man. According to legend, Lawrence was a third-century Roman deacon who was responsible for distributing goods to the poor. When a greedy high-ranking official demanded that Lawrence give him the church's treasure, Lawrence presented a group of poor people, saying that they were the church's treasure. For this defiant act, he was arrested and tortured on a burning gridiron. In the finished work, Bronzino made only small changes to Pontormo's composition. Bronzino's figure lies on a gridiron and turns his head to the left, as he is crowned by a cherub. He holds a palm leaf in his left hand, an emblem of martyrdom. Pontormo's drawing probably provided Bronzino with a model for human musculature and proportions that artists strived to achieve in the 1500s.

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