

Against a fevered red sky and a low, ember-like sun, figures drift through a claustrophobic forest of tower blocks, each cradling an empty frame as if it were both shelter and sentence. The limited palette—ashen greys punctured by insistent scarlet—turns the city into a hushed pressure chamber where intimacy is flattened into a motif and memory becomes a manufactured window. Repeated faces and postures read like a chorus of inwardness, suggesting how urban life standardizes longing, yet the tender way each body holds its rectangle hints at a stubborn desire to protect a private interior. In this uneasy balance between refuge and confinement, the frame becomes the work’s central paradox: a portal to selfhood that also delineates its boundaries.
| Country Of Origin | a portal to selfhood that also delineates its boundaries. |







