Untitled 1 (Composition with Figure and Fish)

Suspended in a pale, almost clinical field, two profile faces—each mottled with rust and midnight blues—appear to conduct a silent experiment in perception, their thoughts made visible as dotted trajectories and measured arcs. Between them, a simplified human figure and a drifting fish read like fragile emblems of the body and the subconscious, caught in the same diagrammatic current that links gaze to memory. The watercolor blooms soften the authority of the graphic marks, suggesting that what looks like rational mapping is, in fact, an emotional weather system—intuition, doubt, and desire circulating as data. The composition becomes a poetic cartography of connection: intimacy rendered as a network whose logic is felt more than proven.