

A totemic figure, half-woodland spirit and half-human musician, lifts a slender flute to where a face might be, turning absence into the very source of song. The composition rises like a ritual axis from a fractured, stitched base—warm, tectonic planes cradling cool, coral-like branches where small birds perch as if listening for an unheard melody. Textural contrasts—striated bark, metallic sheen, and porous growth—conjure a quiet mythology of repair, suggesting that harmony is not found in wholeness but patiently assembled from breaks, scars, and living witness.







