



In this geometric abstraction, amber and ochre planes interlock like translucent shards, allowing light to behave as both subject and structure. Vertical bands act as silent pillars, separating yet binding the composition, while darker seams suggest fractures where memory and matter meet. The warm, saturated palette evokes an interior heatβpart sanctuary, part kilnβso the image reads as a meditation on transformation, where illumination is earned through layered obstruction and release.







