

This composition distills two bovine forms into a ceremonial symmetry, where sweeping black arcs and faceted planes turn anatomy into architecture. The restrained palette—ash whites and stone greys punctuated by ochre and a sudden ember-orange—creates a pulse of warmth within an otherwise austere, mineral silence, suggesting temperament held in check. By reducing the faces to near-masklike profiles and anchoring them with bell-like weights, the work reads as a meditation on duality: companionship and confrontation, tenderness and force, poised at the threshold of recognition. Space becomes a tessellated wall of memory behind them, implying that these figures are not merely animals but emblems—guardians of a quiet, ancestral endurance.







