Pro Soloist is the latest in Cherry Audio's roster of ultimate "what if?" virtual instruments. Featuring the precision-crafted and circuit-modeled DSP designs of award-winning developer Mark Barton
Cherry Audio's Pro Soloist goes far beyond emulating the treasured
preset-based monophonic analog synth originally released by ARP in 1972. Pro Soloist not only exactingly reproduces the expressive controls
30 infamous presets
and the unique underlying architecture of this prog rock classic
it breaks it out of its cage by making it fully programmable and expanding it with full polyphony
splits and layers
a mod matrix
integrated studio-quality effects
and more. At the beginning of the 70s
analog synthesizers were just making their way into the hands of working musicians
and their operation was still a mystery to most folks outside of a college music lab. To avert potential user intimidation and bring synthesis to the masses
manufacturers introduced simple monophonic preset synths that were intended to sit atop an organ. ARP led the charge in 1970 with the Soloist
the first commercial preset synthesizer
featuring 18 presets and basic controls. In 1972
ARP followed it up with the Pro Soloist
updating the analog preset control with revolutionary digital read-only memory chips (which improved tuning stability) and expanding the preset selection to 30. Most impressive was the introduction of an innovative “touch sensor” keyboard (now commonly known as aftertouch)
where pressing harder after playing a note introduces changes to the sound
allowing highly expressive playing. Specifically
the Pro Soloist’s touch sensor controls enabled pitch bend
wow
growl
brilliance
volume
and vibrato. This was heady stuff in the early 70s
and the Pro Soloist proved popular with musicians for its ability to rapidly emulate lead instrument sounds such as horns
strings
woodwinds
and more. Cherry Audio has added a dual-layer voicing architecture
with 16 polyphonic voices per layer
that enables two different presets simultaneously
with independent panning for rich stereo timbres and complex
layered sounds. Pro Soloist also supports a split keyboard mode and an option to simulate polyphonic aftertouch with a monophonic aftertouch controller for more expressive performance possibilities beyond the standard touch sensor effects. With its distinctive three-panel interface
this Pro Soloist is far more than a preset synth. In Performance mode
each original paddle preset has been precisely recreated with MIDI-mappable switches. In Edit mode
we’ve exposed all of its unique analog synthesis architecture parameters
most notably
the fully-variable
five parallel bandpass filter “Resonator Bank” - the key to the Pro Soloist’s realistic acoustic orchestra timbres. Additionally
we’ve revealed the LFO and ADSR/AR envelopes used to create the presets
and elevated the sound design and performance possibilities with a "Super Wave" oscillator and a powerful six-slot modulation matrix. The Arp/FX mode rounds it out with a syncable arpeggiator and a dozen studio-quality effects for distortion
phaser
flanger/chorus
echo
and reverb. And with full support for MIDI (something not practical with the original hardware)
the Pro Soloist virtual instrument is ideal for today's music production environments.
Features:
A best-in-class virtual instrument based on ARP's 1972 preset-based monophonic analog synth
Exactingly reproduces the expressive controls and 30 infamous presets
and surfaces the unique underlying analog synthesis architecture to make it fully programmable
Massive dual-layer voicing architecture with 16 polyphonic voices per layer: two different Pro Soloist style sounds simultaneously playable
in either a keyboard split or stacked layer mode
with discrete controls for layer volume and panning
Three-panel interface: Performance mode
with the original paddle presets; Edit mode
revealing all of the original's unique analog synthesis architecture parameters; and Arp/FX mode
All Pro Soloist voicing parameters reproduced and exposed
including the five parallel 2-pole bandpass filters of the Resonator Bank
expanded with individual frequency curves
Touch Sensor Effects controls to apply aftertouch to volume
brilliance (filter)
and portamento
with adjustable touch sensitivity
Mono (retrigger or legato
low or high-note priority) and polyphonic modes
with a "last" note option to simulate polyphonic aftertouch with a monophonic aftertouch controller for more expressive performance possibilities
Voltage-controlled oscillator with sawtooth and pulse waves
plus a "Super Wave" option for fatter tones
VCO modulation with ADSR PWM
AR PWM
LFO PWM
and LFO FM
24dB/oct Voltage-controlled filer (VCF) with filter invert and modulation with ADSR
AR
LFO
Growl (a specialized low-frequency oscillator)
velocity
and keyboard tracking
Voltage-controlled amplifier (VCA) with modulation by ADSR
AR
LFO
and velocity
and independent per-layer control over volume and panning for expansive and breathtaking stereo tones
Tempo-syncable LFO with sine
ramp
sawtooth
and square waveforms
Resonant highpass filter with cutoff frequency from 20 Hz to 1300 Hz
Resonator Bank with five parallel bandpass filters with continuously variable frequency and resonance controls
all individually modulatable via the Mod Matrix. The frequency curves of the originals are provided and any of the resonators can be set to ind
ADSR (attack/decay/sustain/release) and AR (attack/release) envelope generators
Powerful but easy-to-use Modulation Matrix with six slots and simple click-to-assign functionality: 22 sources and 58 destinations
including Pro Soloist's integrated effects
Arpeggiator with MIDI tempo sync with Down
Up
Up/Down
and Random
Panel Control for selecting layer controls
including utility functions for duplicating and exchanging synthesis and effects parameters between layers and presets
Preset Paddles includes each of the 30 original Pro Soloist factory presets
Over 400 presets
created by a talented team of sound design veterans
easily accessible in a convenient preset browser
12 studio-quality integrated effects: distortion
2/4/6/8 stage phaser with sync
flanger/chorus with sync
three types of stereo echo/delay with sync
and five types of reverb
with easy-to-access global or layer settings
Complete MIDI control and DAW automation for all controls
with easy-to-use MIDI learn and mapping (Preset and Global)
Cherry Audio's popular Focus zoom-in feature
as well as standard UI zoom and resize via drag
Complete documentation available directly online from the instrument or in downloadable PDF format
Highly optimized coding for optimal performance with ultra-low CPU load
and multithreaded processing for presets using Split and Layer modes
User-adjustable oversampling control
Available in AU
VST
VST3
AAX
and standalone formats.
Requirements:
Platform
CPU
RAM
Disk
Notes
Additional Requirement
Audio Card
Ports
Internet Required
32 Bit Support
64 Bit Support
Plugins
mac
Native Apple M1 or greater processor support
including Ultra. 3.4 GHz Quad-Core or M1
8
0
macOS 10.13 or above. macOS 13 Ventura supported
Hard disk space: 70 MB
NOTE: Internet connection required for product activation.
1
0
1
VST-2
VST-3
AU
AAX
STAND-ALONE
windows
3.4 GHz Quad-Core computer
8
0
Windows 7 or above (including Windows 11)
Hard disk space: 70 MB
NOTE: Internet connection required for product activation.