Untitled 4

This abstract composition stages a lively negotiation between buoyant blues and abrupt, emphatic intrusions of red, as if calm waters are repeatedly interrupted by the insistence of desire or alarm. Angular triangles and sliding planes overlap like fragments of architecture or navigational markers, creating a sense of motion that feels both playful and precariously balanced. The stark black cleft at the center reads as a threshold—an inward pull—while pale, chalky whites act as brief clearings of breath amid the saturated field. Together these elements suggest a mental city of signals and detours, where harmony is not given but assembled through continual adjustment.