

This work reads like a palimpsest of motion—broad, muscular sweeps of ochre and umber carve looping arcs across a cold, stony ground, as if the paint were both gesture and sediment. The composition’s circular thrusts create a tense dialogue between impulse and resistance, where the grey underlayer behaves like weathered rock and the warmer strokes feel newly excavated, still carrying the heat of touch. Light is not depicted but implied through the burnished passages and scumbled abrasions, suggesting time’s pressure: a surface repeatedly worked, eroded, and reasserted. In its near-figurative turbulence, the piece becomes a meditation on endurance—forms emerging, collapsing, and returning as memory does, by repetition rather than clarity.







