Untitled 60

This abstract composition stages a quiet collision between order and rupture, as clustered planes of orange, white, red, and turquoise press against a muted ground scored by wavering linear traces like memory’s underdrawing. The paint’s layered, collaged geometry suggests fragments of experience being repeatedly placed, erased, and reasserted—each block both a solid claim and a vulnerable patch. Two crisp diagonal slashes cut through the color fields like vectors of urgency, turning the surface into a charged site where stability is negotiated rather than granted. In the tension between saturated pigment and softened abrasion, the work reads as a map of inner weather: vivid emotion held together by the thin architecture of restraint.