



This suite of abstractions stages a quiet dialogue between buoyant, organ-like forms and fields of stippled notation, as if impulses of the body are being translated into an uncertain language. Translucent washes of cobalt, rose, and ochre drift across the paper with a breath-like softness, while sharper hatches and abrupt crimson filaments act as interruptions—signals, wounds, or routes—pinning the fluid to a moment of decision. Negative space is treated as an active element, allowing each shape to hover in suspension, suggesting memory’s tendency to isolate fragments and let them glow with disproportionate emotional weight. Across the series, the compositions move between tenderness and tension, evoking metamorphosis not as spectacle but as a patient, ongoing recalibration of inner weather.







