

Centered within a mandala-like circle, the many-armed, faceless figure sits on a lotus as if suspended between presence and anonymity—an icon of inner multiplicity rather than a portrait. The composition’s strict radial symmetry is softened by hand-drawn tremors and stippled fields, while warm reds and greens braid together in a floral perimeter that reads like a living threshold, both protective and proliferating. Light seems to emanate from the figure’s haloed ground, suggesting an inward radiance that exceeds the boundaries of the body, turning stillness into a quiet, expansive power.







