



Set against a field of electric yellow that feels both celebratory and alarm-like, the zebra becomes a living roadwayβits black-and-white stripes reinterpreted as the graphic logic of urban circulation. Miniature vehicles traverse its back beneath a suspended traffic signal, turning the animal into a contested territory where nature is not merely observed but engineered, regulated, and consumed. The crisp contrast and playful scale-shift carry a quiet unease: movement, control, and progress ride atop a body that cannot consent, suggesting how modern life normalizes the conversion of the wild into infrastructure.







