

This abstract composition stages a quiet collision between engineered geometry and organic abrasion, where translucent planes of moss and graphite overlap like architectural drafts caught mid-revision. Metallic, weathered strokes—suggestive of timber, rust, or gilded scars—cut across the greens, turning light into a tactile substance that both reveals and conceals depth. The diagonals pull the eye through a suspended field of fragments, evoking a landscape seen through memory rather than sight: partly constructed, partly eroded, and charged with the tension of rebuilding after rupture.