With its legendary combination of look-ahead brickwall peak limiting
level maximization
and ultra-high resolution
the L2 has become a mainstay in mastering and mixing chains in studios everywhere. And for delivering mastered audio
the advanced output dithering algorithms and noise shaping make it easier than ever to convert audio to lower bit depths.
Engineered for mastering
with a stereo-only format
the L2βs ease of use
sonic clarity
optimized release times
effective peak limiting
and streamlined user interface are in a class by themselves.
Effortless Workflow
Optimization for bus applications simplifies the control set to Threshold
Output Ceiling
Release
and dither settings. Control the peaks with Ceiling
and raise the output level with Threshold. Simpleβand it gets the job done.
The Secret of Shaping
The L2βs superior noise shaping comes from 48-bit
double-precision
ninth-order noise-shaping algorithms. Choose Moderate
Normal
or Ultra to suit program material from delicate acoustic sounds to hard rock.
High-Resolution Ready
With more studios using 32-bit and higher file resolutions
conversion to standard 24-bit files is now as important as 16-bit conversion was to CDs. For older digital formats
the L2 also converts to 20- and 22-bit files.
Features:
Stereo-only format optimized for bus applications
48-bit
double-precision math for superior noise-shaping accuracy
ARC (Auto-Release Control) responds sensitively to dynamics
Low latency for live sound and for tracking
Look-ahead gives overshoot-free response and fast attack
Fast workflow
with simplified control set and dithering options
Choose between Manual and ARCβ’ Automatic Release Control
IDRβ’ Increased Digital Resolution with double precision bit re-quantization and dithering
Requirements:
Platform
CPU
RAM
Disk
Notes
Additional Requirement
Audio Card
Ports
Internet Required
32 Bit Support
64 Bit Support
Plugins
mac
Intel or Silicon Architecture
8
16
Minimum: 1024x768
Recommended: 1280x1024 / 1600x1024
USB displays are not supported as the primary display.