



Suspended in a vaporous field of greys, the composition gathers into a fractured, almost architectural mass—part ruin, part apparition—where scraped whites and charcoal voids negotiate the boundary between construction and collapse. The artist’s use of abrasion, splatter, and erasure turns light into a kind of excavation, revealing memory as sediment rather than story. In the quiet surrounding emptiness, the central form feels both weighty and impermanent, suggesting a psyche rebuilding itself from remnants while the horizon-like marks anchor the work to a fragile sense of place.







