

The work stages a fever-dream geography where a luminous, maze-like ground plane pulls the eye into a procession of green, monolithic forms—half architecture, half reliquary—suggesting progress that is measured yet perpetually rerouted. Above, silhouettes and fragmented scenes drift across a dark, atmospheric field like overheard memories: industrial stacks, eruptive clouds, and drifting figures collapse the distance between pastoral order and mechanized unease. The acidic greens and electric contours act as a nervous light, turning space into a psychological map in which the solitary standing figure becomes both witness and navigational needle, suspended between control and surrender.







