Untitled 77

Against a velvety black ground, bruised blocks of teal and ochre drift like architectural fragments, their scumbled textures suggesting memory rubbed thin by time. Two razor-white diagonals cleave the surface with measured insistence, turning the composition into a cartography of interruptions—routes, decisions, and fractures that refuse to settle. A single ember-red rectangle pulses at the center, less a focal point than a withheld confession, warming the surrounding coolness with quiet urgency. The work stages a tense dialogue between control and erosion, where geometry tries to impose order while paint insists on the inevitability of flux.