

A silvered figure advances with a precarious, almost devotional poise, her body turned into a living pedestal for an absurd architecture of stools and blocks that teeters above her like a private skyline. The clash of tactile surfaces—metallic skin, rough timber, and bright, utilitarian bags—creates a visual argument between aspiration and burden, where color functions as both seduction and alarm. Suspended between comic exaggeration and quiet tragedy, the sculpture stages endurance as performance, suggesting how the everyday accumulates into monuments we carry, even as it threatens to eclipse the self.







