Untitled 11

This monochrome composition reads like an eroded palimpsest—ghosted marks, half-formed glyphs, and architectural silhouettes surfacing and sinking through a field of misted white. A dense black swell anchors the lower register, pressing upward like accumulated memory, while the scattered strokes and scratched lines above suggest fragile signals trying to organize into meaning. The restrained palette turns light into a substance rather than an illumination, allowing absence, residue, and abrasion to become the true subject. What emerges is a quiet narrative of urban trace and inner archaeology, where presence is felt most intensely through what has been rubbed away.