



A fevered bestiary unfolds in looping, calligraphic contours: a batlike witness hovers above while a skeletal canine presses into a prone, vulnerable body, turning the scene into a parable of night’s predation. The limited palette of bruised reds and ashen whites reads like stained flesh under harsh moonlight, with thick black lines acting as both outline and moral verdict. Behind this drama, the patterned field of faint faces and motifs suggests collective memory—an anonymous chorus that normalizes violence even as it records it. The composition’s cramped overlap denies escape, making “out of the night” feel less like release than the lingering aftermath of horror.







