In My Society 1 (Three Figures and Construction)

Within a circular, almost medallion-like field, three nude figures inhabit a coarse, earthen ground beneath a lattice of scaffolding that reads as both architecture and entrapment, its angular lines pressing down like an unfinished promise. The central body lunges forward with a clenched expression and outstretched arms, while the flanking figures recoil and withdraw—an emotional triptych of aggression, refusal, and fatigue that turns the human form into a barometer of social pressure. Muted sepia tones and scratchy textures fuse flesh and soil, suggesting that vulnerability is not merely exposed but manufactured, as if the body is being drafted into labor, conflict, or survival. The circular composition seals the scene into a closed system, implying a cycle where power shifts between bodies yet the surrounding structure remains unyielding.