Untitled 4 (The Enchanted Forest)

The composition unfolds like a half-remembered interior dream, where scattered figures, animals, and sculptural forms hover between presence and erasure, their outlines dissolving into washes of pale blue and ash-white light. Dense, stippled thickets of brown and gold press in at the margins, while open corridors and steps carve out pauses—breathing spaces that feel both architectural and psychological, as if the mind is arranging its own museum of fragments. The alternation of solid silhouettes and ghosted drawings suggests memory’s unstable hierarchy: what is cherished becomes weighty, what is unresolved remains only a trace. In this quiet theatre, the work speaks less about a single narrative than about the act of looking itself—how we navigate rooms of meaning, guided by intuition, longing, and the soft violence of forgetting.