

This work immerses the viewer in a thicket of overlapping leaves and slanting branches, where translucent washes of olive and sap green are cut by quick, ink-like marks that mimic the nervous pulse of undergrowth. Light appears not as a single source but as scattered glints—thin, pale lines and lifted highlights—suggesting sunlight fractured through canopy and memory alike. The compressed space denies a clear horizon, turning the forest floor into a dense field of perception where growth and decay coexist, and the act of looking becomes a kind of quiet foraging. In its restless layering, the painting proposes nature as an unedited archive—simultaneously sheltering, entangling, and insistently alive.







