MasterCheck is the complete optimisation solution for today’s delivery services
a plug-in providing the tools to make sure your music reaches the listener as intended. Streaming apps
download stores and podcasts all use data compression
loudness normalisation or both. These processes can affect your track in undesirable ways: your loud
punchy mix could end up quiet and flat
or suffer clipping and distortion.
MasterCheck reveals these problems ahead of time
and enables you to deliver masters perfectly tuned for specific playout systems.
MasterCheck demonstrates the effects of loudness normalisation so you can find the sweet spot between perceived loudness and dynamics
and allows you to hear artefacts introduced by the encoding process ahead of time. You can quickly find the point where these processes will start to negatively impact the music
putting you back in control.
Audition codecs
How do people listen to your output? You work hard to deliver masters that sound great at home
in the car or on earbuds
but that’s only half the story. How does your music sound on Spotify
Apple Music
Tidal
SoundCloud or YouTube?
All major online services encode your music
using different specs and formats depending on the playback device
the connection speed
or even whether the user is a “basic” or “premium” customer. Hot mixes can introduce True Peak overs that will clip on playback. MasterCheck detects these errors
and you’ll be able to hear obvious frequency masking and other artefacts. You can monitor the following codecs
with presets for specific streaming services:
List:
Ogg Vorbis
FLAC
Opus
AAC-LC
HE-AACv1 (AAC+)
HE-AACv2 (DAB+)
MP3
Reference & comparison
Via the 'External ref' function
MasterCheck allows you to A/B with reference material in order to check differences in loudness
PLR and True Peak measurements. If you wish
you can use 'Offset to match' to match the loudness for a direct comparison.
'Offset to match' can also be used to remove loudness from an FX chain. This can be useful for evaluating the impact of signal processing
without being influenced by the 'feel good factor' of increased loudness.
Flexible workflow
With a resizable interface and many user configurable options
MasterCheck can easily be adjusted to suit any situation. Dynamic colour splits for PLR can be set to indicate desirable ranges
and meter splits can be easily set to show 'safe zones' which indicate inter-sample peaks and so on.
For mastering
Playout services essentially have a ‘letter box’ through which they deliver your audio; if it doesn’t slide through then the service will force it to fit. A super-loud master might win the loudness war on CD
but will simply be turned down on any major streaming service. This leaves valuable headroom which you could have used for transient detail and punch.
It is important to be aware of how True Peak clipping can cause downstream distortion in encoded audio. Heavy compression will result in audible 'fizzing' and loss of stereo definition
especially with lower quality codecs.
For mixing
The most popular streaming platforms now only differ by 3 LU between the loudest and quietest target for normalisation. Clearly there is no benefit in mixing louder than the loudest platform
at which point all platforms will be turning down your audio.
Much of this is primarily a concern for the mastering engineer
but if you over-compress a mix then the mastering engineer has nowhere to go. If you compress above a platform's target level
transients lost cannot be regained at a later stage. Try using MasterCheck to audition at the service playout level to hear your mix in context.
Features:
Measuring integrated loudness
Monitoring PLR and PSR to avoid over-compression
Identifying codec distortion
and tweaking to compensate