

This sculptural skull, laminated with fragments of mail, stamps, and handwritten addresses, turns the bureaucratic residue of communication into a poignant memento moriβan archive of lives reduced to routes, dates, and ink. The translucent skin of paper and resin softens the form, letting light pool across its curves like memory itself: partial, overlapping, and never fully legible. By binding intimate correspondence to a universal emblem of mortality, the work suggests that identity is both constructed and erased by the systems that carry our voices, leaving behind only traces of touch and transit.